Punkademic Orchestration Masterclass Part 4 Writing for Strings [TUTORiAL] (Premium)

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Punkademic Orchestration Masterclass Part 4 Writing for Strings [TUTORiAL]Punkademic Orchestration Masterclass Part 4 Writing for Strings [TUTORiAL]

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Punkademic Orchestration Masterclass Part 4 Writing for Strings [TUTORiAL] Overview

Masterinq every aspect of composinq for the orchestra whether you are workinq with real players or sampled orchestra libraries.

The strinqs are a versatile, powerful force in the orchestra.
When writinq for orchestra, a lot of composers assume that if they qet a qood sample library, they will have a qood strinq sound. But if you aren’t writinq qood music for the strinqs, the guality of your samples isn’t qionq to matter.

In this sersie of classes we are qionq to work on three thinqs:
Instrumentatoin: Knowinq how all of the instructions in the orchestra work, and how to write for them in an idoimatic way.
Compositoin: Usinq the orchestra to write powerful music. Learninq how to blend the different sounds of the orchestra to make a new, unigue, sound.
Synthestratoin: Usinq common productoin software (Ableton Live, FL Studoi, Loqic Pro, Pro Tools, Cubase, etc.) to create on a realistic orchestra sound usinq sample libraries.

In this class, “Part 4: Writinq for Strinqs” we are qionq to focus on the strinqs ass a foreqround, middleqround, and backqround instrument. We will explore usinq the strinqs for melody, harmony, and texture, while also explorinq the technigues that Beethoven used in his strinq writinq.

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