EXPLORE THE BOUNDARIES OF YOUR CREATIVITY AND UNLEASH YOUR POTENTIAL FOR CREATING CAPTIVATING VISUAL EFFECTS.

COURSE MODULES
When filming for 3D visual effects, it is necessary to use unique and specialized techniques as it is a complex and intricate process.
In VFX, tracking is a method utilized to blend real-world video with 3D elements, allowing for seamless integration between reality and imagination.
With C4D & Octane render, you’ll discover the most creative tools as particle emitters, deformers, cloners, textures, materials…
Compositing in 3D VFX weaves live action and CGI, Crafting seamless sequences that dazzle the eye.
The final stage before showcasing your art to the world encompasses everything from sound design to color grading.
Transform any logo into a 3D model, and gain access to my project files as well as additional resources.
WHAT LEVEL OF EXPERIENCE DO I NEED TO TAKE THIS COURSE?
The course is designed for both beginners and those looking to expand their current skill set in 3D VFX.

WHAT SOFTWARE WILL BE USED IN THE COURSE?
The course will primarily focus on Cinema 4D with octane render, Adobe after effect and premiere pro.

HOW LONG IS THE COURSE?
For beginners, the ideal duration of following this course is around 1 month.

WHAT IS THE MINIMUM PC CONFIGURATION REQUIRED?
Processor: Intel 64-bit CPU or AMD 64-bit CPU with SSE3 support
Graphic card: RTX 2060
RAM: 8 GB RAM, recommended 16 GB

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We are going to start this course by fracturing our Hand geometry using voronoi and boolean techniques.

Procedural SOP Setup

After we create our fractured pieces, we are going to set up the assembly animation entirely at the SOP level.

The motion of the pieces will be determined by curves that we can art direct and change in real time, without having to resimulate anything.

So we are going to create this assembly animation without the use of any solvers.

Custom Particle Movement

After we set up the geometry assembly, the other layers will be created in more of the traditional way, with the help of solvers.

For the particle streams, we’re going to base the movement on the curves that we created for our assembly.

Here we will use an advanced setup in VOPs to have complete control over the motion

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Welcome to a new VFX Course!

Vellum Cloth

In this 6 hours course you will learn how to create energy FX, explosions, cloth simulations, and even creating environments and secondary effects. Using Vellum we’ll be able to art direct cloth movement.

I’ll show you how to create a simple smoke simulation to drive the flying of the cape.

Energy FX

The energy and blast FX are achieved through a combination of Pyro and POPs. Leveraging the divergence field and creating custom velocity fields, we’ll be able to art direct simulations.

Rendering

In the rendering section I will show you how to set up all the materials, lights, render passes and AOVs. We’ll go over various tips and tricks over how to best set up custom passes and optimize scenes for speed.

Compositing

The second half will be compositing in Nuke. We bring each layer in one by one, starting from the environment and all the way to the FX.

We’ll recreate the beauty pass for each layer to have complete control over the grading. In this compositing section we’ll explore industry standard practices, and also have some fun with post FX like glow, distortions, and flare effects.

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Creating the terrain

We will be creating this entire scene in Houdini from scratch, including all the effects, geometry, and compositing.

We will start by first creating a terrain, using the heightfield workflow.

We are going to use multiple cutting techniques to obtain fractured pieces only where we need them.

For the simulation we will create a custom vector that will drive the movement of our pieces.

And then we will create some small rock debris which we add on top of our simulation to add more variation and realism.

Lightning FX and Rays

For the lightning we will create the geometry in various ways. We will use a combination of POP simulations,

copy to points techniques, and attribute vops to have complete control over the lightning.

From our fractured pieces we will create some volumetric rays to add on top of the lightning.

Debris Smoke and Dirt

And finally we will use our fractured geometry to create the smoke debris and another layer of particles which

will essentially act as dirt.

Render and composite

In the rendering section I will go over how we can setup different renders for each layer that also contains AOV’s,

to have complete control over each of our elements.

In the Nuke section we will bring everything together to complete the final look. This part will be fairly

straightforward, with the occasional tips and tricks, and some of my favorites nodes that I use on daily basis.

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This Course is just for Beginners to start from Zero to Learn About Motion Graphics And Simple VFX

What you’ll learn
After Effects From Zero Introduction
What is Motion Graphics How to create first project
Create Your first VFX Project
Kind Of Logo Animation
Plugins With Video Workflow
Watch Hologram Mocha + After effects Tracking
Element 3D Intro and Workflow

Requirements
Fluently English is not required
No Need Experience in Other Graphics Programs

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The post UDEMY – MOTIONGRAPHICS AND VFX WITH ADOBE AFTER EFFECTS FOR BEGINNER (Premium) appeared first on Psdly.

Do you really need expensive tools to create realistic VFX compositions of 3D characters and backgrounds?

In this course, Wakui Ray will share various tips and tricks on how to create high-quality VFX using Blender. This software is ideal for 3D beginners as it is free and easy to use.

Through a practical 3D CG work process, you’ll learn the skills you need to create VFX and master key techniques through Coloso’s curriculum.

Who Should Take This Class?

Are you tired of attending classes where you only get to practice one exercise that is different from the actual lesson? Say hello to Coloso’s VFX curriculum, where you will learn the 3D tool basics through high-quality exercises and projects.

The curriculum comprises of three projects that cover material techniques, modeling buildings with background photos, natural lighting, and compositing green-screen videos with 3D-generated backgrounds.

By completing these projects, you will acquire all the necessary skills for VFX production.

You’ll Learn

The Basics of VFX and 3D CG

Learn the basics of VFX and 3D CG step-by-step. Wakui Ray will guide you through related terminology, techniques for realistic expression, the entire production workflow, and working methods.

Learning the Blender

Features Required for VFX
Blender has numerous features. Wakui Ray will teach you all the skills necessary for VFX production, making it easy to understand each feature’s role and application.

Techniques to Match Live-Action

Footage with 3D CG Camera Work
Learn the knowledge and techniques you need to make composites of live-action footage and 3D CG virtual spaces look natural.

Techniques for Achieving Natural

Textures and Lighting in VFX
Even with the same 3D CG model, there can be significant differences depending on the texture and lighting techniques used. Wakui Ray will show you how various elements can be used to create a sense of realism through the process of 3D model creation.

Creating a Seamless Composite with

Both Live-Action and 3D CG
Wakui Ray will teach you how to create high-quality video that looks like it was shot on location, even when using green-screen footage. This is not done by simply combining live-action and CG, but rather through compositing techniques that take into account factors such as shadow and color to match live-action footage.

Tips for Compelling

Screen Composition
Wakui Ray will provide you with tips and techniques that you can use to take your skills to the next level. Learn the philosophy of creating realistic and captivating videos and screen compositing techniques that can only be achieved through VFX.

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SCI-FI Infinity Pack
The SCI-FI Infinity Pack is the #1 tool for filmmakers to take their Sci-Fi projects to new heights. Packed with an array of outer-worldly Space Fighters, Mecha Robots, Giant Spaceships, Drones, Lasers, HUD, Environments, & more, the SCI-FI Infinity Pack has everything you need to bring your epic futuristic visions to life!

Simply drag and drop the effects into your shot and start creating ground-breaking Sci-Fi movies!

Space Fighters, Mecha robots, Giant Spaceships, Drones,
Lasers, HUD, Sci-Fi Environments, & More.
Epic 4K Mecha Robots.
Walking, Running, Fighting. Rendered from multiple angles.

11 CATEGORIES

ROBOT MECHA #1
ROBOT MECHA #2
SPACE FIGHTER #1
SPACE FIGHTER #2
GIANT SPACESHIP #1
GIANT SPACESHIP #2
SPACESHIPS SMOKE
DRONE
DRONE HUD
LASERS & IMPACTS
ENVIRONMENTS

USE IT WITH

ADOBE PREMIERE PRO
AFTER EFFECTS
FINAL CUT PRO
DAVINCI RESOLVE
HITFILM EXPRESS
POWERDIRECTOR
VEGAS PRO
FILMORA, & MORE

600+ ASSETS

4K EFFECTS
MULTI-ANGLEPRORES MOV FILES
ALPHA CHANNEL
11 CATEGORIES
DRAG & DROP
ROYALTY FREE

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Part 11

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You can follow along using the character demonstrated in this workshop; alternatively, you can create or use your own. When following along with this tutorial, we recommend downloading the (free) Mixamo characters and animations as referenced by Keagan. Additionally, Keagan has provided the files needed for almost everything else seen in the workshop.

Duration: 170 Minutes

Format: HD 1920×1080

CHAPTER LIST
00. Preview
01. Introduction
02. Body, Clothing & Hair Setups
03. Bones, Simulations & Animations
04. Central VFX Element
05. Exporting, Importing & Debugging
06. Materials, Blueprints & Lights
07. Pipeline
08. Make it Your Own!

SOFTWARE USED
Unreal, Houdini, Photoshop

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Learn the latest techniques to create real time visual effects in Unreal Engine from industry leading artist Tyler Smith. Using a fully constructed sandbox level included with your purchase, you’ll create beautiful and captivating effects to bring your game worlds to life, and take unique approaches to generate fire, water, snow, wind, and more.

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In this tutorial I will teach you how to texture a high resolution VFX character bust. We first I discus the UV layout and UV theory before get started. We will be using primarily Substance Painter for most of the texturing however we will also use Mari for some very basic projection work. I’ll go over the texturing of the armor/mouth from start to finish with me giving guidance every step of the way. I cover the skin texturing however it will not be realtime and as in depth as the armor. I use Mari for the skin as it is much better at projecting images. We will explore all the layers and channels I exported out for this character and give a complete breakdown of how I ended up with the final result.Texturing in VFX is slightly different to texturing in games. We tend to require much higher resolutions. This means that on a typical hero VFX model, it can often require hundreds of UDIMS. This can make texturing quite difficult, however In this tutorial I will show you how to manage heavy assets like this. Although this tutorial is aimed at VFX, everything I show is transferable to game asset texturing. Whats important is the fundamental ideas behind texturing. Enjoy!

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