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\nJoel Grimes Beauty Portrait Masterclass Download\u00a0 Free Download Latest . It is of\u00a0 Joel Grimes Beauty Portrait Masterclass Download free download<\/p>\n
\nJoel Grimes Beauty Portrait Masterclass Download\u00a0 Free Download Latest . It is of\u00a0 Joel Grimes Beauty Portrait Masterclass Download free download<\/p>\n
Blow away your friends and family with your art. This masterclass will teach you how to lean into the creative process, master photography, and create images you never thought possible.
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Why is Lighting so Important<\/strong> Before we finish this shoot, I wanted to take five minutes to get one more image. I want to show you what\u2019s possible with a couple of minutes, a simple setup, and a willing subject. This is s\u2026 <\/p>\n [sdm_download id=”65747″ fancy=”0″]<\/p>\n","protected":false},"excerpt":{"rendered":" Joel Grimes Beauty Portrait Masterclass Download\u00a0 Free Download Latest . It is of\u00a0 Joel Grimes Beauty Portrait Masterclass Download free download Joel Grimes Beauty Portrait Masterclass Download Overview Blow away your friends and family with your art. This masterclass will teach you how to lean into the creative process, master…<\/p>\n","protected":false},"author":1,"featured_media":65741,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26894,14498,18438,2],"tags":[32582,14220,32583,32584,32585,32586,32587],"platform":[],"yoast_head":"\n
\nLighting will play a big part in the process of achieving some of the results we are going for in this masterclass. I want to break downlight in an understandable way before we start shooting.
\nNo Light is Perfect, to Begin With<\/strong>
\nThere\u2019s a formula to lighting, but it needs to be tweaked for every setup. In this lesson, we\u2019ll cover what to look for and how to adjust our lighting, what the change will mean, and ho\u2026
\nHow Lighting Changes a Background<\/strong>
\nMoving our light to get the shadows and detail right will also affect the background. This lesson will show you how these changes affect a pure white and a 50% gray background.
\nArtistic Lighting Choices<\/strong>
\nWorking with a 5ft Octo Box, I\u2019ll show you how distance and exposure affect this soft light. I\u2019ll discuss the changes you can make to get the look you want. This is where artistic choic\u2026
\nUltra-Soft Lighting<\/strong>
\nIn this last testing phase, I\u2019ll walk you through working with a 7ft Octo. This produces the most gorgeous soft light. It might not be the right look for you, but I want you to understand all\u2026
\nRemoving the Mystery of Lighting<\/strong>
\nUsing a piece of software, I\u2019ll show you many dramatic changes that moving your lights and camera can achieve. Removing the mystery of setting up your lights will speed up your shoots and imp\u2026
\nCreating a Sunlight Looks in the Studio<\/strong>
\nIn this first shoot, I\u2019ll photograph model Jess against a white wall to create a clean \u201csunlit\u201d image that will look amazing. I\u2019ll teach you lighting tips, camera settings, \u2026
\nBlack White Retouching Process<\/strong>
\nLet\u2019s get the best from this image! I wanted to make a snappy black & white image from the shot with Jess. Join me for the retouch and learn how to improve your pictures, how to add a tex\u2026
\nSetting Up the Shot and Props<\/strong>
\nI wanted to show how effective some cheap fabric can add a fantastic look to your image. This comes with its problems so learn how to set up, problem solve, and shoot a one-light portrait.
\nDo we Need a Bigger Light Source?<\/strong>
\nSometimes an image just isn\u2019t looking right, and we need to change something. Let\u2019s change the light and see if we get the shot. I\u2019ll teach you what to think about to get the perf\u2026
\nCreating a Silhouette and Masking the Light<\/strong>
\nThis is a super fun process that I\u2019ve wanted to try. This technique will allow you to create an incredible look \u2013 a silhouette but with a pool of light on your subject.
\nRetouching for a Silhouette Effect<\/strong>
\nTo really finish this process it requires a few simple steps when it comes to the retouch. I\u2019ll show you some simple compositing techniques for combining a subject and a background to create \u2026
\nRembrandt Cross Lighting our Subject<\/strong>
\nIn this lesson, I\u2019ll talk about, explain, and show you how I set up a shot to create the classic and impactful Rembrandt cross light.
\nFrequency Separation Made Simple<\/strong>
\nFrequency separation is the most potent skin retouching technique. I\u2019ll be using this technique a lot throughout the retouching sections of this masterclass. So before we get started, I wante\u2026
\nRetouching our Rembrandt Cross Light Image<\/strong>
\nIn this lesson, I\u2019ll walk you through my process for switching out a background, masking quickly, adding texture, controlling light, improving skin, and more!
\nExploring a Setup<\/strong>
\nReading a scene and having the freedom and confidence to try some new things can produce some incredible images. I\u2019ll walk you through a shot using a clean background and a box with a fun com\u2026
\nCompositing Ava Into a New Scene<\/strong>
\nIn this lesson, I\u2019ll walk you through my workflow of transporting a subject from a simple empty scene to a dramatic and extraordinary final image. This lesson is packed full of my hard-won tr\u2026
\nCreating a Wedge Wall Portrait<\/strong>
\nI love the look of shooting within a wedge wall. I have a few tricks up my sleeve, though, which I\u2019ll share in this lesson. You can create some compelling images using these techniques.
\nRetouch \u2013 Adding a Texture to our Wedge Wall<\/strong>
\nHaving these skills makes it much easier to shoot a wedge wall image because you don\u2019t need the perfect wall. I\u2019ll show you how I add texture, color, and compositional effects to build \u2026
\nSonum Wedge Wall Portrait with a Smaller Light Source<\/strong>
\nTo show what\u2019s possible with different light sources and sizes, I\u2019m going to give this wedge wall portrait another go. This will show you how to work with what equipment you have to pro\u2026
\nCross Light Depth<\/strong>
\nI love working with cross light because it brings beautiful depth to an image. Mastering Rembrandt cross lighting is going to be one of the most powerful techniques in your arsenal. Let\u2019s tal\u2026<\/p>\nWhat can you Create with Five Minutes to Spare?<\/strong><\/h2>\n
\nVictorian Wardrobe with Rembrandt Cross Light<\/strong>
\nWorking with a 50% gray backdrop is very inspiring \u2013 it leaves a world of possibilities when it comes to the retouch. This leaves a whole plethora of creative ideas on the table, and I\u2019ll sho\u2026
\nCross Lighting Changes to Think About<\/strong>
\nWe can change the mood of an image by a number of small changes to lighting position, power, size, and distance. In this lesson, I\u2019ll make some changes and explain my process to help you make\u2026
\nBonus Retouching Trick \u2013 Creating a Painted Background<\/strong>
\nBefore we jump into the retouch of these Victorian images, I wanted to teach you how to create a painterly-looking background for your pictures. I\u2019ve included some downloadable tools for you \u2026
\nSoft Light with a Black Dress<\/strong>
\nThis shot was inspired by the dress Mallory was wearing. This lesson shows what can happen when you keep alert to what\u2019s in front of you. I\u2019ll explain the lighting, composition, posing,\u2026
\nFull Body Problem Solving<\/strong>
\nLighting, posing, and shooting a full-body shot has its complications. I\u2019ll teach you how I overcome these in this lesson.
\nRetouching and Compositing from Atlanta to England<\/strong>
\nLet\u2019s get into some more advanced compositing here. This shot lends itself to an in-depth composite. It\u2019s a little challenging, a lot of fun, and the result will be incredible. I\u2019\u2026
\nCreative Lighting Using Double Exposure<\/strong>
\nI\u2019m so excited about this one. I\u2019m going to walk you through how to shoot with a retouching process in mind. We have to get the perfect pose, silhouette, lighting, everything.
\nRetouching Using my Masking Technique<\/strong>
\nBecause I\u2019ve now got a silhouette and a lit version of Destiny, I\u2019m free to be super creative in the retouch. I hope you\u2019ll learn some new tricks in this lesson and be inspired to\u2026
\nMy Three Light Technique Explained<\/strong>
\nIn this lesson, I\u2019ll go in-depth into one of my favorite portrait lighting setups. I\u2019ll also walk you through some of the final images from this shoot, where I tried some different ligh\u2026
\nFinal Retouch<\/strong>
\nIn this last retouching lesson, I\u2019ll show you some pretty simple techniques for maximizing a silhouetted effect and cleaning up a background.
\nHomepage:-https:\/\/www.joelgrimes.com\/beauty-portrait-masterclass
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